{"id":5476,"date":"2020-10-01T13:56:43","date_gmt":"2020-10-01T13:56:43","guid":{"rendered":"http:\/\/demo.bkns.biz\/blog\/?p=5476"},"modified":"2020-09-24T18:00:26","modified_gmt":"2020-09-24T18:00:26","slug":"centre-de-rencontres-internationales-dijon","status":"publish","type":"post","link":"http:\/\/demo.bkns.biz\/blog\/2020\/10\/01\/centre-de-rencontres-internationales-dijon\/","title":{"rendered":"Centre De Rencontres Internationales Dijon"},"content":{"rendered":"

Le CROUS g\u00e8re une r\u00e9sidence sur le site de lIRTESS Association de gestion du centre de rencontres internationales de dijon association Cree d\u00e9 dijon Dijon Marco B. Fontichiari was born in 1992, he is currently working and living in Bologna, Italy. In 2018 he graduated in Film Studies from the Academy of Fine Arts of Bologna. His works are mainly video and performance pieces that question the relationship between human limits and absolute concepts. Marco has presented his work in several galleries and festivals among which, P420, 2016, Ibrida Festival, 2017, METACINEMA, 2017-2018, FILE Festival 2018. Mate Ugrin born 1986 in Pula, Croatia graduated in Filmmaking from the Academy of Arts Belgrade, Serbia in 2012. He holds a Master of Arts from the University of Fine Arts Hamburg Hochschule fur bildende Kunste Hamburg. He is currently finishing the Meisterschuler program at the Berlin University of the Arts Universitat der Kunste Berlin. He directed several shorts, among which Recent Places 2016 and Meanwhile 2017 which was premiered at the Hamburg International Short Film Festival and won the German FIRST STEPS Award. \"centre 1 Les ateliers de la radioprotection sont organis\u00e9s par le Centre d\u00e9tude sur l\u00e9valuation de la protection dans le domaine nucl\u00e9aire, lAutorit\u00e9 de ASN, l, le Pavillon des Sciences de Bourgogne Franche Comt\u00e9, lInstitut National des Sciences et Techniques Nucl\u00e9aires du, la Soci\u00e9t\u00e9 fran\u00e7aise de radioprotection. Message aux Dijonnaises et aux Dijonnais-Point sur le d\u00e9confinement \u00e0 Dijon COVID19 \u0395\u03ba\u03c4\u03cc\u03c2 \u03b1\u03c0\u03cc \u03c4\u03bf\u03c5\u03c2 \u03bc\u03b5\u03b3\u03ac\u03bb\u03bf\u03c5\u03c2 \u03bf\u03af\u03ba\u03bf\u03c5\u03c2 \u03bc\u03cc\u03b4\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b1 \u03bc\u03b5\u03b3\u03ac\u03bb\u03b1 fashion brands, \u03c4\u03b1 \u03bd\u03ad\u03b1 trends \u03c4\u03b1 \u03ba\u03b1\u03b8\u03bf\u03c1\u03af\u03b6\u03bf\u03c5\u03bd \u03ba\u03b1\u03b9 \u03c4\u03b1 \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03bf\u03cd\u03bd \u03bf\u03b9 str \u03bd\u03b1\u03c4\u03b1\u03c3\u03b1 \u03c1\u03af\u03c4\u03c3\u03b1\u03c1\u03bd\u03c4\u03c3\u03bf\u03bd \u03b8\u03b1\u03bd\u03b1\u03c4\u03bf\u03c2.. Nous avons remarqu\u00e9 que vous utilisez un navigateur d\u00e9pass\u00e9. Il se peut que le site de Tripadvisor ne saffiche pas correctement. Passer \u00e0 un navigateur plus r\u00e9cent vous garantira une meilleure navigation sur notre site : \"centre Au c\u0153ur du centre-historique de Dijon, dans un b\u00e2timent art-d\u00e9co avec une fa\u00e7ade class\u00e9e, Ibis Styles Dijon Central, h\u00f4tel 3 \u00e9toiles, vous recevra dans la capitale des Ducs de Bourgogne. Ses 90 chambres grand confort au th\u00e8me artistique de la Bourgogne, vous proposent, si vous le souhaitez, une vue imprenable sur lhistorique place Grangier. Doireann OMalley, born Limerick, Ireland 1981. Lives and works in Berlin, Germany. Prototypes was the winner of The Berlin Art Prize 2018 and has been exhibited in The Hugh Lane Gallery, Dublin, Edith Russ Haus f\u00fcr Medienkunst, Oldenburg and has been screened in Bobs Pogo Bar, KW, Berlin. \"centre Luise Schr\u00f6der Allemagne est en r\u00e9sidence \u00e0 la Cit\u00e9 internationale des arts via le programme du Minist\u00e8re f\u00e9d\u00e9ral allemand de la Culture et des M\u00e9dias. Nom obligatoire Adresse e-mail ne sera pas publi\u00e9e obligatoire Site web Message IMPORTANT : Compte tenu des directives des services ORL suite \u00e0 l\u00e9pid\u00e9mie de COVID19, nos permanences \u00e0 venir sont annul\u00e9es jusqu\u00e0 fin aout minimum. Centre dinformation et de ressources pour les musiques actuelles Au c\u0153ur du Campus Universitaire de Bourgogne \u00e0 Dijon, un concept novateur et original vous accueille : LA MAISON INTERNATIONALE, havre de paix au centre de la ville. R\u00e9sidence pour de longs s\u00e9jours ou h\u00f4tel pour une ou plusieurs nuit\u00e9es, nous nous adaptons \u00e0 votre demande. Ridder Thirst explores the restorative agency and limits of queer youth, facing white supremacist denialism with an inventory of its continued effects. De Swardt fantasises the First River, a primary marker of settler colonial inhabitation in South Africa, into disappearance, perceiving that if the ocean is the space of coloniality, the river is that of settlement. The work takes the span of the river as witness of extreme socio-political discrepancies: snaking from the mouth of the river at Macassar Beach-a former separate amenity for brown people-to Stellenbosch, the affluent university town central to the formulation of apartheid. Photographs of Afrikaner student couples captured at the river in the sixties and seventies by Alice Mertens, a Namibian-German ethnographic photographer who was the first tertiary tutor of the lens in South Africa, are reworked and called into question through a series of anti-monumental gestures, motion-tracked data on spatial and gender traumas, and dense voice-over narration that unwrites place. Here the vagaries of the archival gaze is met with the insatiability of eroticism as De Swardt occupies and inverts the straight canons of documentary photography and essay film, asking how we can unlearn historic images that seek to define us.<\/p>\n","protected":false},"excerpt":{"rendered":"

centre de rencontres internationales dijon<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/posts\/5476"}],"collection":[{"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/comments?post=5476"}],"version-history":[{"count":1,"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/posts\/5476\/revisions"}],"predecessor-version":[{"id":5477,"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/posts\/5476\/revisions\/5477"}],"wp:attachment":[{"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/media?parent=5476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/categories?post=5476"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/demo.bkns.biz\/blog\/wp-json\/wp\/v2\/tags?post=5476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}